Il critico del Wall Street Journal sul nuovo disco degli U2.
By the standards of today’s iPod shuffle mentality, “No Line” is a great album, though it has no consistent flow and no musical arc. Rather than presenting a cohesive statement, it’s a collection of songs held together by an effective and slightly experimental sound. It tops the band’s most recent recordings, “How to Dismantle an Atomic Bomb” (2004) and “All That You Can’t Leave Behind” (2000). But, like them, it features memorable performances alongside others that fall a bit short.
